Above: work in progress
This ogre has a quarrel with his imaginary friend, Harold, who lives right under a finger-nail.
Friday, June 01, 2007
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COAT OF SMILES, parody art of iconic symbols. A duck's hat, a mouse's ears and a smiling yellow button. Three iconic things brought together in one artwork.
[ HOME ] · [ FLORIAN SATZINGER ] · [ Paperwalker Studios SHF ] · [ DUCKLAND ]
The PAPERWALKER Journal is the personal weblog of DUCKLAND creator and award-winning character designer Florian Satzinger – who worked on characters such as Donald Duck, Mickey Mouse, Looney Tunes (Daffy Duck, Bugs Bunny, Silvester etc.), Pinky And The Brain, A.J.Hogg and Scooby-Doo, for studios such as Warner Bros., Disney, ReelFX and Zanuck Family Entertainment – in which he shares bits and pieces of his character design work, processes, visual development, inspirations and reference materials of current, past and future projects.
©2024 by Florian Satzinger. World rights reserved. | 104,7M VIEWS |
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Bēhance
©2024 by Florian Satzinger. World rights reserved. | 104,7M VIEWS |
Instagram | Page | Bēhance
PLEASE NOTE, the displayed parody artworks of classical cartoon characters are not copies but distinct satiric imitations/caricatures, by exaggerating and transforming the original characters and their related indica (see 'Coat of Smiles') in a way that creates new originals and new meanings, different from the intentions of the originals.
All reference/inspiration material here (i.e. all material not originated by the author of this blog) is solely the property of their respective owners, the use here does not imply that you may use the material for any purpose other than for a similar parodistic, informational or inspirational use. This blog journal is basically dedicated to inspire professional animation artists, animation students and everyone who is interested in the animation art form to use their talents. If you find any content here that belongs to you and you want it down or has not been properly attributed, please contact 'hello[at]paperwalker[dot]com', thank you.
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Featured Post
Donald Duck: Cast-Off Development Artwork
Apropos everybody's favourite frustrated fowl, here are some early test bits (ca. 2019/2020) from a yet untitled DD project by writer De...
About Me / Story
Besides his industrial career, he holds a lectureship for character design, analog animation and animation history at the University of Applied Sciences Salzburg (Urstein, Austria) and worked/works as a visiting dozent at art schools such as VIA University College's Animation Workshop (Viborg, Denmark), Film University Babelsberg (Potsdam, Germany), Film Academy Baden-Württemberg (Ludwigsburg, Germany), Beaux-Arts & Entertainment (Paris, France) and Accademia Nemo (Florence, Italy).
Florian Satzinger is a member of Los Angeles based Creative Talent Network, a community for the world's leading creators of both traditional and digital animated films.
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Samples Sheets
DUCK - The Mag For The Birds Presents: Florian Satzinger's BIRDS AND PENCILS
"A superb book filled with some of the best character and vehicle design around the wit involved is fabulous. This book is especially for those of you who loved the Ducktales and Darkwing Duck cartoons of the late Eighties and early Nineties."
Amazon UK
"End of the year must have cartooning products [...] DUCK: Birds And Pencils"
The Daily Cartoonist
"In a world that is dominated by ultra realistic cg, stuff like this is like a breathe of fresh air. Such great poses, lines of action and true composition[...]"
via FlightPattern
"[...]a wild and awesome collection of duck sketches in crazy flying machines and other fantastic adventures[...]"
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Sample pages:
'Birds And Pencils And Sundry Other Things And Hobs' by Florian Satzinger (Brandstudio Press)
Hard cover, 8.5x12 inches, 48 pages, full-color, full bleed, sewn pages.
"[...]inspired by old school animation but at the same time is so much fun[...]makes me want to pick up a pencil and start creating"
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Nov 18-20 2011, Burbank, CA "The renaissance begins again - registration is open"
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Florian Satzinger is one of the members of The Art Center, a place where artists from Disney, Dreamworks, Lucasfilm, Fox Animation, etc. share ideas, tips and tutorials. The Art Center is a sister site of the popular Character Design weblog.
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Contact Information
You can email me at: hello[at]paperwalker[dot]com
Interview
Florian Satzinger interviewed by Randall Sly, brought to you by the Character Design Blogspot:
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Lines And Colors Feature
Photos © Ipplepen/S&H
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At The Shop
Crisse Homage: l'Épée de cristal
Nemoland 2009, FLORENCE
Photo impressions of the 2009 Nemoland festival (Photos © NEMO NT). From left to right: Stefano Casini, Maryam Laura Moazedi, Giuliano Cenci (2x), Alex Orrelle, Florian Satzinger.
Nemoland Award Honorees
Alex Orrelle, Florian Satzinger, Florence 2009 (Photo © NEMO NT)Gossamer
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Ken Southworth (September 22, 1918 - December 6, 2007) worked for a number of major animation studios, including Walt Disney Studios, Hanna-Barbera, Filmation, Warner Bros., MGM, Walter Lantz and Clokey Productions. His credits includes Disney's Alice In Wonderland, Cinderella and The Legend of Sleepy Hollow as well as Hanna-Barbera's Tom & Jerry and The Flintstones and Walter Lantz' Woody Woodpecker.
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Calendar
JANUARY 10-14, 2011
Willie Real and Florian Satzinger will team up to host a character design programme at VIA University College's Animation Workshop in Viborg, Denmark.
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MARCH 4, 2011, 20:00h
Maryam Laura Moazedi and Florian Satzinger will give presentations about stereotypes in character design and visual design for computer games at the Ars Electronica Center in Linz, Austria.
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excellent...
ReplyDeletetrès dynamique.
ReplyDeletebravo
It makes me happy to know that even really good artists still need to make a whole heap of rough blue pencil lines sometimes, a trait I often am ashamed of having after looking at how some people can just draw it all in one go.
ReplyDeleteIn short, you are very inspirational to me.
I love the austrian's touch
ReplyDeleteOh my, awesome work!!!!! O_O
ReplyDeleteplease visit my draw-factory blog ^_^
I'm really waiting for your colouring tricks...post!
ReplyDeleteas for this one...its wonderful to see how u take that doodle to the end...
great ya!
I wish you all the best!
I always start a drawing with the blue pencil. There's something about the control you have over it that allows you to flesh out your character.
ReplyDeleteReally fun-looking!
Here's a question I've been wanting to ask you, Florian: How long does it take you to do each character, approximately?
damn I love your roughs
ReplyDeleteit's so well built
I think like Piram
amazing job!!
Frasier, Thierry, Nick, Piram, Kaek, Gulzar, Richard, Bouss!
ReplyDeleteMany, many, thanks! By the way, what is "the austrian's touch"? Are there some characteristics or features in my work?
Richard, the rough sketching takes about 10-15 minutes. Not longer. But considering all things (like concept, research, thumbnails, pre-sketches, etc.) it takes up to 2-3 hours.