Jake's Inktober; Cat

Friday, October 30, 2009

Jake's Inktober; Cat

Update: Now, you can pre-order Jake's Inktober Book... yummy!

Image © by Jake Parker

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Cat

Alrighty, here's my preceding "Cat" post: We teamed up with Olympic champion Fritz Strobl and Red Bull design mastermind Rob Rottensteiner to create the "Fritz the Fritz" character. I for one was hired on for art direction/bgs/titles and character design, Rob for story development and for his skills in coolness :) After some editing on the colour design and stuff we're quite happy with the outcome and the project's progress. I'll keep you updated...

BG colours: I felt quite inspired by an opening pan of the 1940 Warner Bros. short film Bedtime For Sniffles [»]. A short while ago, Hans Bacher posted two wonderfully recreated bg pieces of it over here [»].

18 comments:

RayFriday, October 30, 2009
Lovely Stuff man! very nice!
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aintshakespeareFriday, October 30, 2009
That house is way cool. The characters are great too, of course. Interesting mix of themes, futurism meets alpine - I like it. Please do keep us posted. This one is very intriguing.
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Simon ScalesFriday, October 30, 2009
Hey Florian...super cool!!
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ScribblerFriday, October 30, 2009
Beautiful work man.
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Davide PercivalliFriday, October 30, 2009
This stuff is AWESOME!

Great characters, great design, great colors!

I have a question maybe you can aswer: characters and works like Starducks or Huck-Finn can be find in Italy? If not, where in the web I can find and order them?
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ARIFriday, October 30, 2009
fantastic ilustration
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NemofishSaturday, October 31, 2009
This is AMAZING. I can't wait for more.
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Florian SatzingerSaturday, October 31, 2009
Ray, :) Thank you!

Michael! Thanks for stopping by! How're you? I'm playing in the same team again which was on the Bulls, too.

Simon! THANKS!

Tom! Cheers!

Davide, thank you! Btw, we all will have to wait for the release of StarDucks - the other titles (Toby and things) will be out not until then - StarDucks' will give the others a tow of sorts.

ARI, :0) Thank you so much!

Nemofish! CHEERS!
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Howard ShumSunday, November 01, 2009
This looks wonderful!
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Faboun'eSunday, November 01, 2009
GREAT again and again ..!
They are now on my Mac wallpaper ..
So they give inspirations for my works ..
cooooool ......
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A. RiabovitchevMonday, November 02, 2009
Brilliant design!:o)
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roger mooreTuesday, November 03, 2009
yea! amazing work!
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DerekWednesday, November 04, 2009
just brilliant!
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AchdeWednesday, November 04, 2009
incredible, awesome, terrific euh.… do you know more words to explain your world ?! Cheer my friend
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Julia BaxSaturday, November 07, 2009
Hahaha I love the glass helmet thing design! Really beautiful lines there.
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Thomas NovotnySaturday, November 07, 2009
I absolutely love your designs, going to check your blog more often!

Richarg Gaines told me about your work btw.
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CliffSaturday, November 07, 2009
Man, great atmosphere in this!
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Florian SatzingerMonday, November 09, 2009
Howard, thanks!!

Faboune, smashing! I'm on your Desktop :)

Andrei, cheers! Thanks for stopping by!

Roger :o) THANK YOU!

Derek! Cheers, again and again :o)

Achdé, big thanks for the compliment... I'm really flattered!

Julia, thank you, I love drawing all sorts of glass helmets/bubbles/globes :o)

Thomas, besten Dank! And cheers to Richard, too!

Cliff, thanks!!
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About Me / Story

FLORIAN SATZINGER, SOKOL Prize winner 2023 (along with Gerald Scarfe), was a student of well-regarded Disney, MGM and Hanna-Barbera animator and animation director Ken Southworth («Alice In Wonderland», «Woody Woodpecker», «Tom & Jerry», «The Flintstones», «Peanuts», «The Smurfs») who influenced him greatly. Having worked for clients that include Warner Bros., Disney, Zanuck Family Entertainment, ReelFX, Space Age Films, Psyop, Ravensburger North America, Facebook, Budweiser, Coca-Cola, Red Bull, Bahlsen and Snapchat, Satzinger is now developing under the umbrella label DUCKLAND projects such as «DUCK AWESOME» and «JOHN STARDUCK» with Paperwalker Studios SHF.

Besides his industrial career, he holds a lectureship for character design, analog animation and animation history at the University of Applied Sciences Salzburg (Urstein, Austria) and worked/works as a visiting dozent at art schools such as VIA University College's Animation Workshop (Viborg, Denmark), Film University Babelsberg (Potsdam, Germany), Film Academy Baden-Württemberg (Ludwigsburg, Germany), Beaux-Arts & Entertainment (Paris, France) and Accademia Nemo (Florence, Italy).

Florian Satzinger is a member of Los Angeles based Creative Talent Network, a community for the world's leading creators of both traditional and digital animated films.

Endorsements And Reviews

«Just put Disney, Franquin and Satzinger in a shaker... and here comes the magic liqueur.»

Jean Mulatier,
Caricaturist
(Esquire, Le Figaro, Time, Playboy, Elle)

«[...] beautiful character work from Austria's Florian Satzinger, who blogs over at the Paperwalker Journal.»

Michael Canva,
THE WASHINGTON POST

«[...] you brilliant bastard»

Jeff Merghart,
Lead Character Designer, Concept Artist and Senior Animator, WALT DISNEY ANIMATION STUDIOS.

«You do Warner Bros better than Warner Bros did Warner Bros.»

Mark Whiting,
Production Designer of THE IRON GIANT. 3-time Annie nominated Art Director and Production Designer.

«This Austrian artist (Florian Satzinger) has drawn some of the world's most iconic animated characters.»

Gary Evans,
ImagineFX Magazine

«I hate you and love you at the same time.»

Deborah Guedj,
Journal de Mickey, France.

«[...] the school that made a deep and lasting impression was Vancouver Institute of Media Arts. That’s where Ken Southworth taught. [...] Ken could teach without teaching, say something without actually saying it. He encouraged Florian to see himself as a kind of reporter, whose job it is to observe his own characters and analyse what they do and how they behave.»

Gary Evans,
ImagineFX Magazine

«Florian describes his own work as “fusion cuisine.” It combines two of the art styles he grew up with: first, the North American style of Disney’s Walt Kelly and Don Bluth, and Chuck Jones of Warner Bros. Second, the influence of European comic artists like André Franquin, Maurice De Bevere (aka Morris) and Giorgio Cavazzano. “I often get the feedback that my style has this Disney feel to it, but more zany, or angry.”»

Gary Evans,
ImagineFX Magazine

«[...] You have THE MOST creative and clever ways to design ducks. I want to visit a whole gallery full of your amazing and charming work.»

Genevieve Tsai,
Supervising Character Designer on Animaniacs, WARNER BROS. ANIMATION

«I modeled these [penguins] from Florian Satzinger's designs. These became a focal point of my portfolio back in 2010 and ultimately landed me a Job at Disney. Huge respect to Florian's genius!»

Ryan Tottle,
Modeling Supervisor, WALT DISNEY ANIMATION STUDIOS

«Great work... so much character!»

David Komorowski,
Head of Characters and Technical Animation at WALT DISNEY ANIMATION STUDIOS

«The quality of Florian’s sketches reminds me of the Golden Age mid-century Disney and Warner Bros animation where every line had a lively motion and projected a three-dimensional sense of volume of the character.»

Johanna Schwaiger,
Program Director, NEW MASTERS ACADEMY,
Los Angeles, CA

«You own the duck world. No one should ever attempt to draw another duck. End of story.»

Thomas Fluharty,
Illustrator and Caricature Artist, THE NEW YORK TIMES, TIME, MAD MAGAZINE, THE VILLAGE VOICE

«You're crazy!!!»

Achdé (Hervé Darmenton),
Lucky Luke

«Great take on Daffy [Duck]. Hilarious. You’ve completely maintained his prick-ness. Real talent, Florian. This is the only real reboot potential Daffy I’ve ever seen. [...]»
«More animated than most recent films, with just a simple still drawing. Amazing [...]»

Steve Williams,
Film Director (Disney's 'The Wild'), Academy Award nominated Visual Effects Artist ('THE MASK'), Chief Animator 'TERMINATOR 2', 'JURASSIC PARK', 'THE ABYSS', 'JUMANJI' etc.

«You really do embody the old essence of Disney ... even more than Disney. More than Disney today any way.»

Bob Jones,
Character Designer, 'THE WISHMAS TREE', UNIVERSAL PICTURES/ODIN'S EYE

«A classic vintage Mickey, with a Chaplinesque grin, follows the timeline of his past adventures... In the meanwhile, a new unseen Mickey is sipping a tea cup, waiting for new landscapes... Visions suspended between the past and the future, conceived by Florian Satzinger, the award-winning concept artist and character designer.»

Federico Fiecconi,
Curator of DISNEY'S MICKEY: The True Original Exhibition, Castello di Desenzano, Italy

«[...] this man is a duck fiend. Donald Duck, Daffy Duck, “duck-tape”—never have I encountered an artist more dedicated to the proliferation of duck-related media [...]»

JJ,
Character Design Blog

«Achdé [...] already calls him the "master of the ducks".»

Ars Electronica Center

«Unique in the world with these extraordinary characters.»

Bruno Bozzetto,
Academy Award nominated Film Director

«"Inspiring … yet depressing … maybe I can still get that job at Wal-Mart.»

Eddie Pittman,
Disney's 'Phineas and Ferb'

«sick sick sick talent ...»

Alex Orrelle,
'SPACE JAM 2', Head of Story, WARNER BROS. ANIMATION

«One of my favorite artists [...]»

Jake Parker,
Founder of InkTober

«An excellent draughtsman.»

Douglas Goldsmith,
School of Visual Communication Design, KENT STATE UNIVERSITY

«Florian Satzinger is an animation expert, trust us, we know.»

KLEAR,
Leading Data Influencer Marketing Software Platform

«Florian Satzinger has a drawing style with a snap and verve that harken back to the best of classic Disney and mid 20th Century Warner Brothers animation. The lines with which he delineates his characters zing, bounce and swoop so delightfully that they suggest lively motion even before they’re animated. Satzinger credits Southworth as his major influence, and his work in the style of great classic hand-drawn animation shows his continuation of that tradition.»

Charley Parker,
LINESANDCOLORS.COM

«Florian Satzinger: a Carl Barks on steroids.»
(Florian Satzinger: um Carl Barks com esteróides)

via MARCAMARIA.COM

«Florian, you've been an amazing influence on my art for almost ten years now, and will be for years to come!»

Jay Fosgitt,
Comic Artist, MARVEL COMICS

«Florian Satzinger set the style for CTNX with the red "X" in the eyes in 2009. Florian designed the “X” in the eyes with his Ducks in such a appealing way that they have become a signature to CTN.»

CTN,
THE CREATIVE TALENT NETWORK®, Burbank, CA

DUCK - The Mag For The Birds Presents: Florian Satzinger's BIRDS AND PENCILS

"A superb book filled with some of the best character and vehicle design around the wit involved is fabulous. This book is especially for those of you who loved the Ducktales and Darkwing Duck cartoons of the late Eighties and early Nineties."
Amazon UK

"End of the year must have cartooning products [...] DUCK: Birds And Pencils"
The Daily Cartoonist

"In a world that is dominated by ultra realistic cg, stuff like this is like a breathe of fresh air. Such great poses, lines of action and true composition[...]"
via FlightPattern

"[...]a wild and awesome collection of duck sketches in crazy flying machines and other fantastic adventures[...]"
Arjan Wilschut

Sample pages:

'Birds And Pencils And Sundry Other Things And Hobs' by Florian Satzinger (Brandstudio Press)

Hard cover, 8.5x12 inches, 48 pages, full-color, full bleed, sewn pages.

"[...]inspired by old school animation but at the same time is so much fun[...]makes me want to pick up a pencil and start creating"
Labyrinth Books

Nemoland

Behind the scenes of science fiction and fantasy

NEMOLAND (NEMO NT)

In May 2009, Florian Satzinger gave workshops within the scope of The Genio Fiorentino 2009, on the occation of the Nemoland event/conferment of the Nemoland Special Award in the Aula Magna at the Instituto Statale d' Arte of Florence, Italy. Former Nemoland workshop hosts/award recipients were animation directors and animators such as Don Bluth, Gary Goldman, Alex Orrelle (Pixar) and J.P. Vine (Aardman Studios). Besides that, there was an exhibition of Florian Satzinger's original artwork at the Gipsoteca of the Instituto Statale d' Arte.

Friday, October 30, 2009