Looking at this classic Daffy Duck model sheet always makes me fired up for drawing!
© Warner Bros. World rights reserved.
Monday, June 25, 2012
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COAT OF SMILES, parody art of iconic symbols. A duck's hat, a mouse's ears and a smiling yellow button. Three iconic things brought together in one artwork.
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The PAPERWALKER Journal is the personal weblog of DUCKLAND creator and award-winning character designer Florian Satzinger – who worked on characters such as Donald Duck, Mickey Mouse, Looney Tunes (Daffy Duck, Bugs Bunny, Silvester etc.), Pinky And The Brain, A.J.Hogg and Scooby-Doo, for studios such as Warner Bros., Disney, ReelFX and Zanuck Family Entertainment – in which he shares bits and pieces of his character design work, processes, visual development, inspirations and reference materials of current, past and future projects.
©2025 by Florian Satzinger. World rights reserved. | 104,7M VIEWS |
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©2025 by Florian Satzinger. World rights reserved. | 104,7M VIEWS |
Instagram | Page | Bēhance
PLEASE NOTE, the displayed parody artworks of classical cartoon characters are not copies but distinct satiric imitations/caricatures, by exaggerating and transforming the original characters and their related indica (see 'Coat of Smiles') in a way that creates new originals and new meanings, different from the intentions of the originals.
All reference/inspiration material here (i.e. all material not originated by the author of this blog) is solely the property of their respective owners, the use here does not imply that you may use the material for any purpose other than for a similar parodistic, informational or inspirational use. This blog journal is basically dedicated to inspire professional animation artists, animation students and everyone who is interested in the animation art form to use their talents. If you find any content here that belongs to you and you want it down or has not been properly attributed, please contact 'hello[at]paperwalker[dot]com', thank you.
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About Me / Story
ERICH SOKOL Prize winner 2023 (along with Gerald Scarfe), was a student of well-regarded Disney, MGM and Hanna-Barbera animator and animation director Ken Southworth («Alice In Wonderland», «Woody Woodpecker», «Tom & Jerry», «The Flintstones», «Peanuts», «The Smurfs») who influenced him greatly. Having worked for clients that include Warner Bros., Disney, Zanuck Family Entertainment, ReelFX, Space Age Films, Psyop, Ravensburger North America, Facebook, Budweiser, Coca-Cola, Red Bull, Bahlsen and Snapchat, Satzinger is now developing under the umbrella label DUCKLAND projects such as «DUCK AWESOME» and «JOHN STARDUCK» with Paperwalker Studios SHF.
Besides his industrial career, he holds a lectureship for character design, analog animation and animation history at the University of Applied Sciences Salzburg (Urstein, Austria) and worked/works as a visiting dozent at art schools such as VIA University College's Animation Workshop (Viborg, Denmark), Film University Babelsberg (Potsdam, Germany), Film Academy Baden-Württemberg (Ludwigsburg, Germany), Beaux-Arts & Entertainment (Paris, France) and Accademia Nemo (Florence, Italy).
Florian Satzinger is a member of Los Angeles based Creative Talent Network, a community for the world's leading creators of both traditional and digital animated films.
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Samples Sheets
DUCK - The Mag For The Birds Presents: Florian Satzinger's BIRDS AND PENCILS
"A superb book filled with some of the best character and vehicle design around the wit involved is fabulous. This book is especially for those of you who loved the Ducktales and Darkwing Duck cartoons of the late Eighties and early Nineties."
Amazon UK
"End of the year must have cartooning products [...] DUCK: Birds And Pencils"
The Daily Cartoonist
"In a world that is dominated by ultra realistic cg, stuff like this is like a breathe of fresh air. Such great poses, lines of action and true composition[...]"
via FlightPattern
"[...]a wild and awesome collection of duck sketches in crazy flying machines and other fantastic adventures[...]"
Arjan Wilschut
Sample pages:
'Birds And Pencils And Sundry Other Things And Hobs' by Florian Satzinger (Brandstudio Press)
Hard cover, 8.5x12 inches, 48 pages, full-color, full bleed, sewn pages.
"[...]inspired by old school animation but at the same time is so much fun[...]makes me want to pick up a pencil and start creating"
Labyrinth Books
CTN Animation Expo 2011
Nov 18-20 2011, Burbank, CA "The renaissance begins again - registration is open"
ANIMATION MAGAZINE:
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StarDucks Quake Protective Suit
The Art Center
Florian Satzinger is one of the members of The Art Center, a place where artists from Disney, Dreamworks, Lucasfilm, Fox Animation, etc. share ideas, tips and tutorials. The Art Center is a sister site of the popular Character Design weblog.
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You can email me at: hello[at]paperwalker[dot]com
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Florian Satzinger interviewed by Randall Sly, brought to you by the Character Design Blogspot:
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Lines And Colors Feature
Photos © Ipplepen/S&H
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At The Shop
Crisse Homage: l'Épée de cristal
Nemoland 2009, FLORENCE
Photo impressions of the 2009 Nemoland festival (Photos © NEMO NT). From left to right: Stefano Casini, Maryam Laura Moazedi, Giuliano Cenci (2x), Alex Orrelle, Florian Satzinger.
Nemoland Award Honorees
Alex Orrelle, Florian Satzinger, Florence 2009 (Photo © NEMO NT)Gossamer
Achdé Homage: Lucky Duck
Todfeind
In Loving Memory
Ken Southworth (September 22, 1918 - December 6, 2007) worked for a number of major animation studios, including Walt Disney Studios, Hanna-Barbera, Filmation, Warner Bros., MGM, Walter Lantz and Clokey Productions. His credits includes Disney's Alice In Wonderland, Cinderella and The Legend of Sleepy Hollow as well as Hanna-Barbera's Tom & Jerry and The Flintstones and Walter Lantz' Woody Woodpecker.
KEN SOUTHWORTH WIKIPEDIA
Calendar
JANUARY 10-14, 2011
Willie Real and Florian Satzinger will team up to host a character design programme at VIA University College's Animation Workshop in Viborg, Denmark.
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MARCH 4, 2011, 20:00h
Maryam Laura Moazedi and Florian Satzinger will give presentations about stereotypes in character design and visual design for computer games at the Ars Electronica Center in Linz, Austria.
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Yep, amazing model sheet. Drawing Looney Tunes is the job I loved the most, I really miss working on those characters.
ReplyDeleteI was on the Looney Tunes too, a very long time ago, in a galaxy far, far away... loved it :)
ReplyDelete