COAT OF SMILES, parody art of iconic symbols. A duck's hat, a mouse's ears and a smiling yellow button. Three iconic things brought together in one artwork.
PLEASE NOTE, the displayed parody artworks of classical cartoon characters are not copies but distinct satiric imitations/caricatures, by exaggerating and transforming the original characters and their related indica (see 'Coat of Smiles') in a way that creates new originals and new meanings, different from the intentions of the originals.
All reference/inspiration material here (i.e. all material not originated by the author of this blog) is solely the property of their respective owners, the use here does not imply that you may use the material for any purpose other than for a similar parodistic, informational or inspirational use. This blog journal is basically dedicated to inspire professional animation artists, animation students and everyone who is interested in the animation art form to use their talents. If you find any content here that belongs to you and you want it down or has not been properly attributed, please contact 'hello[at]paperwalker[dot]com', thank you.
A little update on the fly (December 30, 2007): Have a good start in the New Year! By the by, the critter below is a kind of a New Year's Soap Bubble Bogey.
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Previous post (December 24, 2007) - The Green Christmas Goblin Duck:
Enjoy your holidays... I'll be enjoying mine! Due to extreme need of holiday and rest, I'll be taking a break until January 7, 2008.
The EG Mon loves to decorate its Christmas tree with gingerbread men and viking-dwarf bones. (Photos: Me and some icelandic friends in the city of Akureyri, and that is where I did the rough sketch of the EG Mon and the viking-dwarf; Icebergs - a few days after. Pretty inspirational.)
I've no words. I'm deeply saddened by Ken's death. This is a great loss. (Photo above: A long time ago. Ken with my fellow student Chris, sitting at my student's animation desk at VanArts.)
Ten minutes ago, I received a call from Ken's wife, Carol that he had passed away of a stroke this morning. I had spoken with him two weeks ago, and he had had a bad fall and was getting around by a cane. My association with Ken began on THE ADVENTURES FROM THE BOOK OF VIRTUES in 1996. The following year we joined forces to produce the popular three volume Home Instruction course, THE KEN SOUTHWORTH ANIMATION Program that consisted of instructional VHS tapes and workbooks. The origin of this series was based on Ken's desire to pass on his 50 years of experience to the next generation. Since talent for the animation field can come from virtually anywhere in the world, there is the possibility that someone in an isolated area without the means to attend one of the major Animation Schools might benefit from a few basic lessons. As a result we fashion this series of courses designed to spark that raw talent.
THE KEN SOUTHWORTH ANIMATION series was featured in several Video Catalogs including Schlesinger's Educational Library Video, The Whole Toon Catalog, and our web site: inkwellimagesink.com as well. While Ken established the original web site, I continued to develop it to what it is today. As a result, we have linked to many people worldwide who have found us, and told us how much they have enjoyed our product.
Ken was employed at The Walt Disney Studios from 1943 to 1951. He was primarily an Assistant Animator in the Jack Hannah and Jack Kinney units working on numerous DONALD DUCK, GOOFY, and PLUTO short subjects. During this period, Ken developed the "Splat" shock/impact effects that became cartoon conventions in the Disney shorts. Ken also worked on a number of the Disney animated features including THE THREE CABBALLEROS, SONG OF THE SOUTH, and THE LEGEND OF SLEEPY HOLLOW. He assisted Frank Thomas on CINDERELLA, primarily on the STEPMOTHER, and also assisted Milt Kahl on ALICE IN WONDERLAND. In one of our programs, Ken took great pride in stating that he had done considerable work on the Croquet Sequence in ALICE IN WONDERLAND, saying, "Chances are, if you see a drawing with ALICE holding a flamingo, I did it!"
Ken left Disney after ALICE in WONDERLAND to accept an offer as an Animator for Walter Lantz, working under Tex Avery. When the second version of the famous WOODY WOODPECKER opening title was done, it was animated by Ken and LaVerne Harding. Ken then went to MGM during its last two years, with an Animator's credit on several of the Cinemascope cartoons produced by Hanna and Barbera starring TOM AND JERRY and DROOPY. When Bill Hanna and Joe Barbera launched H-B Enterprises in 1957, later to become Hanna-Barbera Productions in 1959, Ken went along with them, as an animatior on HUCKLEBERRY HOUND, QUICK DRAW MCGRAW, THE FLINTSTONES, TOP CAT, JONNY QUEST, SPACE GHOST, DINO BOY, SCUBBY DOO, THE SMURFS, DON COYOTE, and SWAT CATS. Ken was with H-B for 21 years.
In the early 1960s, Ken was also a Stop-Motion Animator and Storyboard Artist on DAVY AND GOLIATH for Clokey Productions. He was also Director and Layout Artist on QT HUSH and YOUNG DANIEL BOONE. In the 1970s, he was a Storyboard Artist and Animator on STAR TREK, LASSIE, HE-MAN, and BRAVESTAR for Filmation. Ken was also an Animator on Bugs and Tweety for GREMILINS 2 and EARTH DAY TV. His fianl assignment was as a Director on ADVENTURES FROM THE BOOK OF VIRTUES on PBS.
During his active years, Ken taught Animation at the Hanna-Barbera Evening School, The American Animation Institute (Cartoonists Local 839), and since his retirement ten years ago, continued to speak at colleges and universities in the U.S. and Canada including VanArts. Ken was a most unique, generous, and inspiring man. With all of his past experiences with business ventures, he stated that I was the best associate he had ever worked with. That was really a tremendous compliment in light of his rich history, which gives me a great deal to live up to. Always the optomist, Ken had this to say about the future of animation: "I think the best is yet to come, remembering that the play's the thing...I'm very optimistic for both 2D and 3D animation."
And here they are... the most powerfull elite feathers. Guarding the StarDucks. (Another happy dance, because I've finished my work on this project TODAY!)
Update: "Florian, are you positive that this is B-Hero's pet?"
No. In fact quite the reverse is true. (In this connection I want to apologise to my wise writers and co-designers who are working on this project with me for tolerating all those abstruse input of mine.)
Update 2: This buffer was intended for this year's card. Together with Captain Christmas and some others.
After all, our ideas shifted to another concept... with the Capt'n, but without this birdy. BTW: He carries his entire intellect in his left big toe. So he has to radio his ideas etc. over Bluetoe to his brainhat.
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Update 1: I'm awfully sorry, I forgot to introduce the plane's design engineer to you:
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To get you in pre-mood for Christmas I've a little preezie for you. The Original Captain Christmas Paperplane Kit, for Paperwalker readers only. Well, to tell the truth, this paperplane kit was part of the S&H season's greetings mailing, Christmas 2005.
My studio's website went (still going) through a relaunch. I'll miss the old sepia coloured site, but it was full to the bursting point. So - bye, old jalopy. Hello, new one.
Egon Schiele is one of my fave artists. So it's no wonder that he is a source of inspiration. For finding new conceptions on designing characters, for instance.
I did this mashup of rough character sketches for the HF teaser site. After all, only Buck (the bird with the smoothy) made it onto the page: www.huckle-berry-finn.com
Apropos everybody's favourite frustrated fowl, here are some early test bits (ca. 2019/2020) from a yet untitled DD project by writer De...
About Me / Story
FLORIAN SATZINGER, SOKOL Prize winner 2023 (along with Gerald Scarfe), was a student of well-regarded Disney, MGM and Hanna-Barbera animator and animation director Ken Southworth («Alice In Wonderland», «Woody Woodpecker», «Tom & Jerry», «The Flintstones», «Peanuts», «The Smurfs») who influenced him greatly. Having worked for clients that include Warner Bros., Disney, Zanuck Family Entertainment, ReelFX, Space Age Films, Psyop, Ravensburger North America, Facebook, Budweiser, Coca-Cola, Red Bull, Bahlsen and Snapchat, Satzinger is now developing under the umbrella label DUCKLAND projects such as «DUCK AWESOME» and «JOHN STARDUCK» with Paperwalker Studios SHF.
Florian Satzinger is a member of Los Angeles based Creative Talent Network, a community for the world's leading creators of both traditional and digital animated films.
Ask me anything:
Endorsements And Reviews
«Just put Disney, Franquin and Satzinger in a shaker... and here comes the magic liqueur.»
«[...] the school that made a deep and lasting impression was Vancouver Institute of Media Arts. That’s where Ken Southworth taught. [...] Ken could teach without teaching, say something without actually saying it. He encouraged Florian to see himself as a kind of reporter, whose job it is to observe his own characters and analyse what they do and how they behave.»
«Florian describes his own work as “fusion cuisine.” It combines two of the art styles he grew up with: first, the North American style of Disney’s Walt Kelly and Don Bluth, and Chuck Jones of Warner Bros. Second, the influence of European comic artists like André Franquin, Maurice De Bevere (aka Morris) and Giorgio Cavazzano. “I often get the feedback that my style has this Disney feel to it, but more zany, or angry.”»
«I modeled these [penguins] from Florian Satzinger's designs. These became a focal point of my portfolio back in 2010 and ultimately landed me a Job at Disney. Huge respect to Florian's genius!»
«The quality of Florian’s sketches reminds me of the Golden Age mid-century Disney and Warner Bros animation where every line had a lively motion and projected a three-dimensional sense of volume of the character.»
«Great take on Daffy [Duck]. Hilarious. You’ve completely maintained his prick-ness. Real talent, Florian. This is the only real reboot potential Daffy I’ve ever seen. [...]» «More animated than most recent films, with just a simple still drawing. Amazing [...]»
«A classic vintage Mickey, with a Chaplinesque grin, follows the timeline of his past adventures... In the meanwhile, a new unseen Mickey is sipping a tea cup, waiting for new landscapes... Visions suspended between the past and the future, conceived by Florian Satzinger, the award-winning concept artist and character designer.»
«[...] this man is a duck fiend. Donald Duck, Daffy Duck, “duck-tape”—never have I encountered an artist more dedicated to the proliferation of duck-related media [...]»
«Florian Satzinger has a drawing style with a snap and verve that harken back to the best of classic Disney and mid 20th Century Warner Brothers animation.
The lines with which he delineates his characters zing, bounce and swoop so delightfully that they suggest lively motion even before they’re animated.
Satzinger credits Southworth as his major influence, and his work in the style of great classic hand-drawn animation shows his continuation of that tradition.»
«Florian Satzinger set the style for CTNX with the red "X" in the eyes in 2009. Florian designed the “X” in the eyes with his Ducks in such a appealing way that they have become a signature to CTN.»
LearnFromMasters YouTube channel
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If, like me, you enjoy YouTube videos about art and artists, you may have
come across a number of slideshow style videos showcasing the art of
historic pai...
The captain is on the bridge
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I never finished drawing this rough layout draft. I still enjoy looking at
it.
#steampunkwillie #steampunkboat #mickeymouse #roughlayout #cockpit #bridge ...
Swimming upstream in a sea of ageism
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*"We all swim in a sea of isms. They emerge as humans develop and apply
stereotypes as shortcuts to avoid engagement with our fear of difference.
Once they...
DRAGONS & ELEVATORS
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This weekend, Tier is furious with Trude for sending him into the cave of a
fearsome dragon. He’s very reluctant to forgive her, even though Trude
explains...
On Bear Hunts
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*From the Inspirational Thought Unit*
There's a book I read maybe nine hundred times while my kids were little
called "We're going on a bear hunt." It'...
Showreel 2023
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Even if my blog is broken on some browsers, it is still functionnal enough
to welcome a showreel update as I am currently looking for work in Animated
Feat...
Bernie Fuchs
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Bernie Fuchs.
1932/2009
Not really sure what to say about him that would be different from anybody
else’s point of view.
The man was THE man. The legend ...
Memahami Bermacam Tipe Bahan Peledak Tambang
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Memahami Bermacam Tipe Bahan Peledak Tambang. Kala industri jasa drilling
serta blasting melaksanakan peledakan, pastinya hendak memakai bermacam
berbagai ...
Kid Lucky pour Novembre
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Dernière semaine de vacances avant de m'y remettre pour un nouveau Lucky
Luke avec Jul au scénario. Pour Novembre mon petit Kid sera dans les bacs
en atten...
website!
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guys n gals! i've finally cooked up a website fresh out the interweb oven.
check it out at www.williereal.org that's right... i'm organic? an
organism...
#SharkWeek
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I’ve been posting a shark a day for sharkweek. The weekend sharks either
turned out awfully (I drank too much wine on sunday) or I ran out of time.
Got to ...
My challenge for my 40th birthday...
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On my 40th birthday I felt an urge to start something new. In the next
stage of my professional development I want to have more fun and worry less
about ho...
Promotional Project - Dance Test
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Here is the video link to our 3D Dance Test of Mr. Mini Wheat. Enjoy!
http://vimeo.com/58923469
All modelling, texturing, rigging, lighting, rendering...
Sculpting a Maquette with Tony Cipriano: Part One
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I met Tony Cipriano in 1991 when we worked together on "Beauty and the
Beast" at Walt Disney Feature Animation's studio in Florida. Tony had a
most unusua...
DUCK - The Mag For The Birds Presents: Florian Satzinger's BIRDS AND PENCILS
"A superb book filled with some of the best character and vehicle design around the wit involved is fabulous. This book is especially for those of you who loved the Ducktales and Darkwing Duck cartoons of the late Eighties and early Nineties." Amazon UK
"End of the year must have cartooning products [...] DUCK: Birds And Pencils" The Daily Cartoonist
"In a world that is dominated by ultra realistic cg, stuff like this is like a breathe of fresh air. Such great poses, lines of action and true composition[...]" via FlightPattern
"[...]a wild and awesome collection of duck sketches in crazy flying machines and other fantastic adventures[...]" Arjan Wilschut
Sample pages:
'Birds And Pencils And Sundry Other Things And Hobs' by Florian Satzinger (Brandstudio Press)
Hard cover, 8.5x12 inches, 48 pages, full-color, full bleed, sewn pages.
"[...]inspired by old school animation but at the same time is so much fun[...]makes me want to pick up a pencil and start creating" Labyrinth Books
CTN Animation Expo 2011
Nov 18-20 2011, Burbank, CA
"The renaissance begins again - registration is open"
Florian Satzinger is one of the members of The Art Center, a place where artists from Disney, Dreamworks, Lucasfilm, Fox Animation, etc. share ideas, tips and tutorials. The Art Center is a sister site of the popular Character Design weblog.
In May 2009, Florian Satzinger gave workshops within the scope of The Genio Fiorentino 2009, on the occation of the Nemoland event/conferment of the Nemoland Special Award in the
Aula Magna at the Instituto Statale d' Arte of Florence, Italy. Former Nemoland workshop hosts/award recipients were animation
directors and animators such as Don Bluth, Gary Goldman, Alex Orrelle (Pixar) and J.P. Vine (Aardman Studios).
Besides that, there was an exhibition of Florian Satzinger's original artwork at the Gipsoteca of the Instituto Statale d'
Arte.
In Loving Memory
Ken Southworth (September 22, 1918 - December 6, 2007) worked for a number of major animation studios, including Walt Disney Studios, Hanna-Barbera, Filmation, Warner Bros., MGM, Walter Lantz and Clokey Productions. His credits includes Disney's Alice In Wonderland, Cinderella and The Legend of Sleepy Hollow as well as Hanna-Barbera's Tom & Jerry and The Flintstones and Walter Lantz' Woody Woodpecker.
JANUARY 10-14, 2011 Willie Real and Florian Satzinger will team up to host a character design programme at VIA University College's Animation Workshop in Viborg, Denmark. ANIMATIONWORKSHOP.DK
MARCH 4, 2011, 20:00h Maryam Laura Moazedi and Florian Satzinger will give presentations about stereotypes in character design and visual design for computer games at the Ars Electronica Center in Linz, Austria. ARS ELECTRONICA CENTER
Instagram | 
Page | 
Bēhance
My Captain.
'Birds And Pencils And Sundry Other Things And Hobs' by Florian Satzinger (Brandstudio Press)
You can email me at: hello[at]paperwalker[dot]com
Photos © Ipplepen/S&H
Posts
Photo impressions of the 2009 Nemoland festival (Photos © NEMO NT). From left to right: Stefano Casini, Maryam Laura Moazedi, Giuliano Cenci (2x), Alex Orrelle, Florian Satzinger.
Alex Orrelle, Florian Satzinger, Florence 2009 (Photo © NEMO NT)
