The Devil of a Toothache

Tuesday, April 17, 2007

The Devil of a Toothache

Monsters usually don't consult dentists. But they do eat them, at least on occasion.

5 comments:

AnonymousWednesday, April 18, 2007
wouhahouu very funny ! i love it all ! Are you working on an anim' ?
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Simon ScalesWednesday, April 18, 2007
Great stuff!! Love this one
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Foom SpectacularWednesday, April 18, 2007
Hmmm, tasty!

Great drawing and expression.
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Oliver KurthThursday, April 19, 2007
Well, monsters seem to have the same problems as humans. Great! Toothaches can be terrible ...
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Florian SatzingerSaturday, April 21, 2007
Mael, Simon, Mark, Oliver, many thanks!

Mael, yes, we're are on an animation project. Currently, we're at the very start of it. I'll post some pieces, later this year.
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Endorsements

«This Austrian artist [Florian Satzinger] has drawn some of the world's most iconic animated characters.»

Gary Evans,
ImagineFX Magazine

«Unique in the world with these extraordinary characters.»

Bruno Bozzetto,
Animation Director

«I modeled these [penguins] from Florian Satzinger's designs. These became a focal point of my portfolio back in 2010 and ultimately landed me a Job at Disney. Huge respect to Florian's genius!»

Ryan Tottle,
Modeling Supervisor, DISNEY ANIMATION STUDIOS

«You own the duck world. No one should ever attempt to draw another duck. End of story.»

Thomas Fluharty,
Illustrator and Caricature Artist, THE NEW YORK TIMES, TIME, MAD MAGAZINE, THE VILLAGE VOICE

«One of my favorite artists [...]»

Jake Parker,
Founder of InkTober

«An excellent draughtsman.»

Douglas Goldsmith,
School of Visual Communication Design, KENT STATE UNIVERSITY

«Florian Satzinger is an animation expert, trust us, we know.»

KLEAR,
Leading Data Influencer Marketing Software Platform

«Florian Satzinger has a drawing style with a snap and verve that harken back to the best of classic Disney and mid 20th Century Warner Brothers animation. The lines with which he delineates his characters zing, bounce and swoop so delightfully that they suggest lively motion even before they’re animated. Satzinger credits Southworth as his major influence, and his work in the style of great classic hand-drawn animation shows his continuation of that tradition.»

Charley Parker,
LINESANDCOLORS.COM

«Florian Satzinger: a Carl Barks on steroids.»
(Florian Satzinger: um Carl Barks com esteróides)

via MARCAMARIA.COM

«Some beautiful character work from [...] Florian Satzinger, who blogs over at the Paperwalker Journal.»

Michael Canva,
THE WASHINGTON POST

«Florian, you've been an amazing influence on my art for almost ten years now, and will be for years to come!»

Jay Fosgitt,
Comic Artist, MARVEL COMICS

«Florian Satzinger set the style for CTNX with the red "X" in the eyes in 2009. Florian designed the “X” in the eyes with his Ducks in such a appealing way that they have become a signature to CTN.»

CTN,
THE CREATIVE TALENT NETWORK®

«A classic vintage Mickey, with a Chaplinesque grin, follows the timeline of his past adventures... In the meanwhile, a new unseen Mickey is sipping a tea cup, waiting for new landscapes... Visions suspended between the past and the future, conceived by Florian Satzinger, the award-winning concept artist and character designer.»

Federico Fiecconi,
DISNEY'S MICKEY: The True Original Exhibition, Castello di Desenzano, Italy

About Me / Story

Florian Satzinger was a student of well-regarded Disney, MGM and Hanna-Barbera animator and animation director Ken Southworth («Alice In Wonderland», «Woody Woodpecker», «Tom & Jerry», «The Flintstones», «Peanuts», «The Smurfs») who influenced him greatly. Having worked for clients that include Disney, Warner Bros., The Zanuck Company, ReelFX, Psyop, Red Bull, Bahlsen and Snapchat, Satzinger is now developing «DUCK AWESOME©» and «JOHN STARDUCK©» with Paperwalker Studios SHF.

Besides his industrial career, he holds a lectureship for character design, analog animation and animation history at the University of Applied Sciences Salzburg (Urstein, Austria) and works as a dozent at art schools such as VIA University College's Animation Workshop (Viborg, Denmark), Film University Babelsberg (Potsdam, Germany) and Film Academy Baden-Württemberg (Ludwigsburg, Germany).

Florian Satzinger is a member of the Creative Talent Network, a community for the world's leading creators of both traditional and digital animated films.

DUCK - The Mag For The Birds Presents: Florian Satzinger's BIRDS AND PENCILS

"A superb book filled with some of the best character and vehicle design around the wit involved is fabulous. This book is especially for those of you who loved the Ducktales and Darkwing Duck cartoons of the late Eighties and early Nineties."
Amazon UK

"End of the year must have cartooning products [...] DUCK: Birds And Pencils"
The Daily Cartoonist

"$24.95 USD"
Brandstudio Press

"In a world that is dominated by ultra realistic cg, stuff like this is like a breathe of fresh air. Such great poses, lines of action and true composition[...]"
via FlightPattern

"[...]a wild and awesome collection of duck sketches in crazy flying machines and other fantastic adventures[...]"
Arjan Wilschut

Sample pages:

'Birds And Pencils And Sundry Other Things And Hobs' by Florian Satzinger (Brandstudio Press)

Hard cover, 8.5x12 inches, 48 pages, full-color, full bleed, sewn pages.

"[...]inspired by old school animation but at the same time is so much fun[...]makes me want to pick up a pencil and start creating"
Labyrinth Books

Nemoland

Behind the scenes of science fiction and fantasy

NEMOLAND (NEMO NT)

In May 2009, Florian Satzinger gave workshops within the scope of The Genio Fiorentino 2009, on the occation of the Nemoland event/conferment of the Nemoland Special Award in the Aula Magna at the Instituto Statale d' Arte of Florence, Italy. Former Nemoland workshop hosts/award recipients were animation directors and animators such as Don Bluth, Gary Goldman, Alex Orrelle (Pixar) and J.P. Vine (Aardman Studios). Besides that, there was an exhibition of Florian Satzinger's original artwork at the Gipsoteca of the Instituto Statale d' Arte.

Tuesday, April 17, 2007